19-24 October 2008

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Pre-orientation Training for Students Leiden Meeting,

4-10 February 2009

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Türkiye’de bu alanda ilk defa gerçekleşecek olan konferansın konukları arasında dünyaca ünlü yönetmenler David Macdougall ve Judith Macdougall yer alıyor. Macdougall çifti iki gün boyunca “Anlatı Yapısı” başlığı altında dört bölümden oluşan bir atölye düzenleyecekler. Görsel antropolojinin öncüsü kabul edilen Fransız yönetmen Jean Rouch’un çalışma arkadaşı ve Research Institute for Development (IRD)’ın direktörü Bernard Surugue, programda film gösterimi ve konuşma yapacak.

Konferansın diğer konukları arasında Strasbourg Üniversitesi Belgesel Film Yapımı Yüksek Lisans Programı’ndan ve Leiden Üniversitesi Görsel Antropoloji Bölümü’nden katılacak olan yüksek lisans ve doktora öğrencileri yer alıyor. Bu öğrenciler Kırsal Avrupa’yı Derinlemesine Anlamak Projesi kapsamında bir sunum yapacaklar. Sunumlarını projenin Türkiye grubunu oluşturan Bilkent Üniversitesi İletişim Tasarım Bölümü yüksek lisans öğrencileri ve Orta Doğu Teknik Üniversitesi Sosyal Antropoloji Bölümü yüksek lisans öğrencileri ile birlikte gerçekleştirecekler.

Görsel antropoloji alanının uzmanları tarafından düzenlenecek konferans, herkesin katılımına açık olacak.

Ayrıntılı bilgi için:
http://std.comd.bilkent.edu.tr/visualanthropology/

Ana Isabel, A. & László, K. & Pink, S.

2004 Working Images: Visual Research and Representation in Ethnography. London: Routledge.

Banks, M. & Morphy, H.

1997 Rethinking Visual Anthropology. New Haven: Yale University Press.

Banks, M.

2003 Visual methods in social research. London: Sage Publications.

Barbash, I.

1997 Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos. Berkeley: University of California Press.

Boonzajer Fleas, R & Harper, D.

1993 Eyes across the water, two: essays on visual anthropology and sociology. Amsterdam: Het Spinhuis.

Collier, J.

1986 Visual Anthropology: photography as a research method. Albuqueque: University of new Mexica Press

Crawford, P.I. & Turton, D.

1992 Film as ethnography. Manchester: Manchester University Press.

Crawford, P.I. & Postma, M.

2005 Reflecting Visual Ethnography: using the camera in anthropological research. Leiden: CNWS Publications, Hoberg: Intervention Press.

MacDougall, David

1998 Transcultural Cinema

Princeton University Press, New Jersey.

MacDougall, David

2006 The Corporeal Image

Princeton University Press, New Jersey.

De Bromhead, Toni

1996 Looking two ways

Intervention Press.

Devereaux, L & Hillman, R.

1995 Fields of Vision: essays in film studies, visual anthopology, and photography. Berkeley: University of California Press.

Grimshaw, A.

2001 The Ethnographer’s eye: ways of seeing anthropology. Cambridge: Cambridge University Press.

2002

Hastrup, Kirsten

1992 Film as Ethnography.

Intervention Press, Aarhuss.

Heider, K.

1976 Ethnographic film. Austin: University of Texas

1995 Films for Anthropological Teaching

1997 Seeing Anthropology: culturla antrhopology through film. Boston: Pearson/Allyn an Bacon.

Hockings, P.

1975 Principles of Visual Anthropology. Berlin, New York: Mouton de Gruyter.

Loizes, P.

1993 Innovation in ethnographic film: from innocence to self-consciousness. Chicago: University of Chicago Press.

MacDougall, D.

1998 Transcultural cinema. Princeton, New York: Princeton University Press.

2006 The Corporal image: Film, Ethnography, and the senses. Princeton, New York: Princeton University Press.

Pink, S.

2001 Doing visual ethnography: images, media and representation in research. London: Sage Publications.

2007 Visual Interventions: Applied Visual Anthropology. New York: Berghan Books.

Place, Linda Marie.

The experience of self among Turkish village women: an ethnographer’s journal

UMI Ann Arbor, MI 1989

Prosser, J.

1998 Image-based research: a sourcebook for qualitative researchers. London, Bristol: Falmer Press.

Ruby, J.

1999 Picturing Culture: Explorations of Film and Anthropology. Chicage: University of Chicago Press.

Taylor, Lucien

Visualizing theory : selected essays from V.A.R., 1990-1994

Routledge New York 1994

Visual anthropology review : journal of the Society for Visual Anthrop

Center for Visual Anthropology Los Angeles 1058-7187 1991

Journal of Visual Culture

Selected Books on Documentary Filmmaking

Braverman, Barry: Video Shooter: Storytelling with DV, HD, and HDV Cameras (DV Expert Series), CMP Books; Pap/Dvdr edition (January 15, 2006)

Ellis, Jack C.: A New History of Documentary Film, Continuum (August 30, 2005)

Rabiger, Michael: Directing the Documentary, Focal Press; 4 edition (April 13, 2004)

Rosenthal, Alan: Writing, Directing, and Producing Documentary Films and Videos, Southern Illinois University Press; 4th edition (June 13, 2007)

Visual Anthropology Films List

Robert Flaherty, Nanook of the North (1922)

Dziga Vertov, Man with the moving camera (1929)

John Marshall, The hunters (1958)

Jean Rouch, Chronicle of Summer (1961), Moi un Noir (1961), Jaguar (1967)

William Klein, Muhammad Ali, the Greatest (1969)

Robert Gardner, Dead birds (1963), Forest of Bliss (1986), The Nuer (1970)

Timothy Asch, The Ax Fight (1975)

Philo Bregstein , Jean Rouch and His Camera In the heart of Africa (1979)

Trin T. Minh-Ha, Reassamblage (1982), Surname Viet, Given Name Nam (1989)

William Klein, In and Out of Fashion (1998)

Harun Farocki, Images of the World and The Inscription of War/Bilder der Welt und Inschrift des Krieges (1989), Videogrammes d’une révolution roumaine/Videogramme einer Revolution/Videogram of a Revolution (1992), I Thought I Was Seeing Convicts/Ich glaubte Gefangene zu sehen (2000)

Contemporary Visual Anthropology Films

Jayasinhija Jhala, Close Encounter of No Kind (2002)

Matt McCormick, The Subconscious Art of Graffiti Removal (2002)

Byambasuren Davaa, The Story of the Weeping Camel (2003)

Chris Marker, Chats Perches (2004)

Michael Glawogger, Workingman’s Death (2005)

Alan Berliner, Wide Awake (2006)

Pierre Lamarque, The King Never Dies (2007)

Ton Otto & Christian Suhr Nielsen, Ngat is Dead: Studying Mortuary Traditions (2007)

Kerstin Feurle, Happens to be blind (2008)

Julia Kurc, In skirts they go (2008)

Project Schedule:

* Project should be finished not in November but October (even possibly September).

* TR students come to FR in May (2^nd or 3^rd week). If it is financially possible, all students will go to each country.

TR fieldwork ends in March and April. NL could come at the end of March (Kefken) and FR students the last week of April (Soğanlı).

* Another practical aspect: the evaluation of all material.

TR students must start to do this in May and start editing in June.

Length of the films: approximately 30 min for each film.

* Screenings: Correction in project text (Lot 3) > For individual films Lot 3 states 3 films, it is actually 6 films, and from June it will be moved to July. All 6 films will be shown in all 6 villages. The point is to show the films to the villagers.

* The Assembly will take place in the first half of October, with 5 villagers from each country.

* Final editing when all are coming to TR:

* Making Of will be done in August-September.

* Must start to engage in publication in August > articles, research

Content:

* Students need to know what to include in the end result.

- Separate films for each villages

- One final film

- Plus one “making-of”

* The language of the films: Every film in its own language of course, but final DVD will have subtitles in all four languages (TR, FR, NL, plus ENG.).

* List of probable outcomes of the project:

- 6 films, one for each village + 1 global film

- Conference proceedings (as book)

- Exhibition

- TV program

- A DVD (presentation of the project)

But each can have separate outcomes.

Plus what goes on the Internet etc…

* Training of students: Do they apply their own style, and to what extent?

The style depends on the perspective:

- habits etc. > observational

- influence of policies etc. > interview

* Visibility:

Building a network for visual ethnography for rural Europe: Especially for countries whose rural areas are still “rural” in the traditional sense like Poland.

Format of the TV program (depends on the format of the channel – a single 1-hr film or 4 x 30 min…). Could also be different for each country > has to be decided by this summer.

Avrupa Birliği Genel Sekreterliği
http://www.abgs.gov.tr/

Avrupa Komisyonu Türkiye Delegasyonu
http://www.avrupa.info.tr

Merkezi Finans ve İhale Birimi
http://mfib.gov.tr

Sivil Toplum Diyaloğunu Geliştirme Programı
http://www.csdproject.net

News and Resources for Visual Anthropology
http://www.visualanthropology.net/

Granada Centre for Visual Anthropology
http://www.socialsciences.manchester.ac.uk/disciplines/socialanthropology/visualanthropology/

The Sensory Ethnography Lab (SEL) at Harvard University
http://www.fas.harvard.edu/~mediaant/index.htm

The Ethnographic Film Unit at University of British Columbia
http://anthfilm.anth.ubc.ca/

RAI International Festival of Ethnographic Film
http://raifilmfest.org.uk/film/festival/2009/home

European Association of Social Anthropologists
Visual Anthropology Network
http://www.iwf.de/easa/easa.html

AnthroSource
A Service of the American Anthropological Association
http://www.anthrosource.net/Default.aspx

NAFA Nordic Anthropological Film Association
http://nafa.uib.no/pls/apex/f?p=123:1:1370548800963391

Comité du film éthnographique
http://www.comite-film-ethno.net/contacts.htm

The Society for Visual Anthropology (SVA)
http://societyforvisualanthropology.org/

Visual Anthropology Review
http://people.virginia.edu/~ds8s/VAR/

ETHNODOC Cultural Organization, Italy
http://www.ethnodoc.org/mission.php

Visualising Ethnography
http://www.lboro.ac.uk/departments/ss/visualising_ethnography/

DER Documentary Educational Resources
http://www.der.org/films/index-by-filmmaker.html

ISEFF International Student Ethnographic Film Festival
Goldsmiths, University of London
http://www.goldsmiths.ac.uk/iseff/films.php

Beeld voor Beeld
Documenatry Film Festival on Culture and Representation
http://www.beeldvoorbeeld.nl/

ve Proje Etkinlikleri Görselleri için
http://www.flickr.com/photos/29090445@N08/

Andreas Treske
Bilkent Üniversitesi İletişim ve Tasarım Bölümü Bölüm Başkanı

Seminer – II
“Etnografik Veri Nasıl Toplanır?”

Doç. Dr. Suavi Aydın
Hacettepe Üniversitesi Antropoloji Bölümü

5 Ocak 2009, Pazartesi 17.30

Seminer – III
“Türkiye’de Kırsal Kültürün Dönüşümü”

Kudret Emiroğlu

8 Ocak 2009, Perşembe 17.30

Seminer – IV
“Osmanlı’dan Cumhuriyet’e Kırsal Tarihin Ana Hatları”

Prof. Dr. Özer Ergenç

15 Ocak 2009, Perşembe 17.30

Seminer – V
“Video Teknikleri Üzerine”

Yrd. Doç. Dr. Andreas Treske

19 Ocak 2009, Pazartesi 17.30

Seminer – VI
“AB’nin Tarım ve Kırsal Kalkınma Politikaları”

Fatma Can (AB Genel Sekreterliği Tarım ve Balıkçılık Dairesi)

22 Ocak 2009, Perşembe 17.30

Uygulama Komitesi Bilkent Üniversitesi Güzel Sanatlar ve Mimarlık Fakültesi İletişim ve Tasarım Bölüm Başkanı Andreas Treske’nin başkanlığındaki Komite toplantısına, Proje Koordinatörü Süha Ünsal, Koordinatör Yardımcısı Özge Çelikaslan, Bilkent Üniversitesi Tarih Bölümü’nden Dr. Oktay Özel, İletişim ve Tasarım Bölümü’nden Dr. Mahmut Mutman, Hacettepe Üniversitesi Antropoloji Bölümü’nden Dr. Suavi Aydın, finans uzmanı Klaus Jürgens, Proje Sekreteri Linda Stark, Projenin Hollanda ortağı Leiden Üniveristesi’nden Metje Postma, Hollanda Sanat Enstitüsü’nden Alite Thijsen, Fransa ortağı Strasbourg II Marc Bloch Üniversitesi’nden Jean-François Moris ve Stéphane de Tapia katıldı.

Uygulama Komitesi toplantısının ilk gününün akşamında, Bilkent Üniversitesi’nde gerçekleştirilen Proje Tanıtım Toplantısı, Hollanda ve Fransa’dan proje ortaklarımız olan üniversite ve enstitülerin ilgili diğer kişilerle de tanışmasına fırsat sağladı.